The Family

2021, in production

[SMALL SYNOPSIS HERE]

Just because you can’t see it…

2018, 2’26’’

Produced for Dazibao, Montréal. A serious, sometimes humorous, reflection on Karrabing understandings of the ancestral present.

Wutharr, Saltwater Dreams

2016, 28.53’’

Across a series of increasingly surreal flashbacks, an extended Indigenous family argues about what caused their boat’s motor to breakdown and leave them stranded.

Another project here

Night Time Go

2017, 31’10’’

During WWII, the Australian government tried to remove a group of Karrabing ancestors from their lands, but they refused to leave.

Windjarrameru, The Stealing C*nt$

2015, 35’02’’

[SMALL SYNOPSIS HERE]

Roan Roan, and Connected

2020, online project

Produced for The Art Gallery of New South Wale's’ online exhibition, Medium Earth. A powerful manifesto celebrating the ‘smooth and rough’ practices that keep Karrabing connected to their ancestors and obligated to their lands.

Another project here

When the Dogs Talked

2014, 33’55’’

A thoughtful yet humorous drama about the difficulties Indigenous communities have living within the strictures of modern white culture while maintaining a sense of their own traditions and relationship to the land.

The Mermaids,
or Aiden in Wonderland

2018, 26’29’’

In the not so distant future, Europeans will no longer be able to survive for long periods outdoors in a land and seascape poisoned by capitalism, but Indigenous people seem able to.

The Jealous One

2017, 29’17’’

Two plot lines meet in a dramatic final encounter. An Indigenous man weaving through bureaucratic red tape to get to a mortuary service on his ancestral land. A fight between a husband consumed by jealousy and his wife’s brother, who excludes him from community ceremonies.